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Curatorial Fellowship Program

The Curatorial Fellowship Program is a partnership between the National Gallery of Canada (NGC), the Ottawa Art Gallery (OAG), and the Ottawa Black Art Kollective (OBAK). The fellowship provides mentorship, professional development, and hands-on curatorial experience across two leading institutions.
Launched in 2021 through a collaboration between the OAG and OBAK, the program has since expanded to include the National Gallery of Canada. Its mission is to support the next generation of Black curators in the National Capital Region, empowering them to contribute to both contemporary and historical art conversations while fostering meaningful community engagement.
This fellowship represents an important step toward broader and more inclusive representation within the arts. By offering dedicated support and impactful learning opportunities, it not only nurtures emerging curatorial talent but also helps shape a more equitable and diverse future for Canada’s cultural landscape.
Contact OBAK for program inquiries

Past Fellows

Sandra Ngenge Dusabe | 2025

Sandra Ngenge Dusabe (gen-geh doo-sa-beh) is a painter, curator and cultural creator based in Ottawa, Canada. After completing her BFA at the University of Ottawa, she’s taken the knowledge and passion cultivated from her time in school and transferred that dedication and care to program conceptually coherent and authentic experiences catered to Black and Femme artists located on Turtle Island. While continuously balancing the advantages and drawbacks of making art in Canada, these challenges have yielded a continuous streak of successful events and exhibits presented through The Moving Art Gallery, her personal curatorial initiative. She has curated over 5 shows, which have been exhibited at Saw Gallery, Carleton University Art Gallery and SPAO: Photographic Arts Centre. She has also been exhibited as a painter in 7 shows, and has been the recipient of several grants from the City of Ottawa, Canada Council of the Arts and the Ingenium Foundation.
Curated Exhibition: Sight, Not SeeingWebsite | Social

Regatu Asefa | 2024

Regatu Asefa (she/her) is a curator and art historian based in Toronto and Oxford, where she is completing her MPhil in Islamic Art and Architecture. Her practice prioritizes non-visual sensory experiences and body engagement in the formations of place and identity, with a particular focus on arts of the Islamic world. In her current position as Curatorial Resident at the Gardiner Museum in Toronto, she has been researching and exploring social experiences of scent through Islamic ceramics, focusing on the ways in which scent has articulated women’s social spheres. Recent curatorial projects include Behind the Curtain and My Body is Wherever it Has Something to Do as the inaugural Curator-in-Residence position at NAMARA | projects; Inviting the Conflict (Ottawa Art Gallery); 83 ‘Til Infinity: 40 Years of Hip-Hop in the Ottawa/Gatineau Region (Ottawa Art Gallery); and Where We Stand (Carleton University Art Gallery). She holds both an MA in Art and Architectural History and a Graduate Diploma in Curatorial Studies.
Curated Exhibition: Inviting The ConflictWebsite | Social

Yanaminah Thullah | 2023

Yanaminah (Yah-nah-mee-nah) Thullah is an award-winning community builder with a rich background curating, public speaking, and consulting. 
Named “One to Watch” by the Black Diplomats Academy, she has appeared on CBC Radio to discuss her curatorial work and has spoken on prominent stages such as the National Gallery of Canada. Known for curating exhibits and events that uplift marginalized artists, her notable projects include “Beyond The Body” with Design TO and “We Do Not Dream of Labour” at the Ottawa Art Gallery. 
As a seasoned consultant, Yanaminah has worked with clients like the Department of Justice, COYA Productions, and Urban Alliance on Race Relations. Her diverse practice is rooted in a passion for world-building, informed by her trilingual degree (English, French, Spanish) in International Relations from the University of Ottawa, which has enabled her to work in various capacities both domestically and internationally.
She is committed to increasing representation and intercultural awareness in every space she engages with to facilitate institutional growth.
Curated Exhibition: We Do Not Dream Of LabourWebsite | Social

Delilah Edouard Williams | 2022

Delilah Edouard Williams is an art and cultural curator dedicated to elevating contemporary emerging BIPOC artists and fostering inclusive, community-engaged arts programming. With a background in Social Sciences and a specialization in Anthropology, her practice is deeply rooted in cultural community work and its intersection with the creative arts. Passionate about making art spaces more accessible to marginalized communities, she believes art is meant to be shared — and that everyone has the capacity to create. Through her experience in creative workshop programming, she actively works to amplify collective narratives and ensure that underrepresented voices have the space to shape and tell their own stories. Her recent curatorial projects include How I Love You (Ottawa Art Gallery) where she served as the inaugural Community Guest Curator Fellow, and A Journey of Dreams (Head & Hands), developed following her creative workshop facilitation.
Curated Exhibition: How I Love YouWebsite | Social